WHY ARE AMERICA, EUROPE, AUSTRALIA AND THE UNITED KINGDOM ‘UNDER ATTACK’ BY ARAB OR MUSLIM AND LONE WOLVES ‘TERRORISTS’?
…AND
SOME CARTOONISTS TOO CAN BE DESCRIBED AS TERRORISTS!
By
Mansor Puteh
What
is happening in Europe, the west and America
is reminiscent of what happened in America
in the 1960s when the Blacks formed the Black Panther and SLA
parallel to the movement led by Dr. Martin Luther King.
The
Black Panther and Symbionese Liberation Army (SLA) were a radical and militant
Black Power movement which had also gained the support of some American
athletes; two of whom wore a black glove when they received their medals in the
Olympics.
But
they these underground groups did not get the credits due to them all of which
were given to one person – Dr. Martin Luther King who now has a day in the
American calendar named after him, other than some roads and also a concrete
statue in his liking near the Lincoln Memorial in Washington DC.
The
Black Power movement had to kidnap the daughter of American media magnate,
Randolph Hearst, before they were taken seriously.
It was
unfortunate that this kidnapping had to happen before America came to
their senses.
And it
was also unfortunate for Australia ,
France , Belgium and also America
had to experience similar calamities by small groups and other individual Arab
or Muslim radicals who fashioned themselves as the Black Panthers or SLA members, but how far those countries would come to
their senses, is yet to be seen.
Cartoonists,
especially some French ones can also be terrorists who like to use their pens
as arms to terrorist a very large group of people in the world with about six
of them living in France .
The
saying: ‘pen is mightier than the sword’ holds true in this case.
When
will France
start to treat their cartoonists as terrorist?
The
cartoons created by the cartoonists at Charlie Hebdo did not wish to satirize
anymore; they wanted to go beyond that, by terrorizing the Arabs and Muslims.
I can
see how a discourse on the need for the creation of the New Muslim Cinema by
the Muslim World can indeed cause Arab and Muslim anger and emotions to be
pacified and expressed more creatively without them being spilled on the
streets.
I hope
such a discourse can be organized at OXCIS or any university in the United Kingdom or America .
The
problems faced may not be political but merely sociological and
psychological and creative or cinematic.
I was a member of the international observers' team
monitoring the Syrian Presidential election of 3 June last year.
I have been to forty countries and attending
international film festivals, forums, seminars and conferences.
I presented a paper, 'Muslim Cinema as an
antithesis to Hollywood ' in the First
International Muslim Filmmakers' Conference in Tehran , Iran
in February, 1994. If the proposals I have in this paper had been implemented
by the Organization of Islamic Cooperation (OIC) or the American government,
Arab Spring and the carnage that we have seen since then till now would not
have happened.
Early Hollywood
silent films had Arab sheikhs as the lead heroes - they were the romantic
heroes of the day. Remember Rudolf Valentino who died young and the whole f America cried.
Here is the poster of the film he first starred in called 'The Sheikh'.
So if there is going be any effort to promote world
peace, to fight terrorism and to establish greater security, then surely, it is
prudent to also look at the cinema and how it had caused so much dissent and
dissatisfaction amongst many especially those whose who are not Americans and
amongst Americans who are not white.
Blacks in America
had been pacified when Hollywood
embraced them, and it is just the cinema that can put things right.
If Imam Khomeini had not decreed that creating the
New Iranian Cinema to be acceptable in Islam and if Iran
today does not have such a cinema, then surely, the whole of Iran would be
turned upside down long ago.
Even in Malaysia
when we had the Old Malayan Cinema then based in Singapore , there was peace amongst
the people of the three major races - Melayu, Chinese and Indians.
However, when Singapore broke off or was pushed out
of the Federation of Malaysia in 1965, and the Old Malayan Cinema collapsed,
there were a major racial riots called the May 13, 1969 riots, when the Melayu,
Chinese and Indians started to watch films that were made by the filmmakers
from their respective races with the Chinese and Indians getting them from Hong
Kong and India.
Pakistan turned upside down months after the
Pakistani government banned a traditional folk art performances from being
performed, which had created a lot of understanding and diversion to the
Pakistanis before, deeming them to be unIslamic, when they should have reshaped
them to comply with Islamic values which is what Malaysia has done to some of the
early folk art shows that entertained the people here.
And in the lacking in the New Muslim Cinema is
what's causing the Arab and Muslim World to be so, and the Muslims are not able
to appreciate each other's quirks and differences and diversity to create a
better world for themselves, and in the consequences, their relations with the
west and America
too suffers.
Only World Trade Center One or Freedom Tower
has risen on the site of the Old
World Trade Center , and not much else, world peace,
etc.
The people of color have not been given such
acceptance because Hollywood
does not realize that they can come up with better works for the wider world if
they know how to embrace diversity and views from many other filmmakers who are
from other countries.
Ask yourself: Why is it that there are now more
scholars in all fields and more universities and think tanks in all the Arab
and Muslim countries including those in America and the west, yet, the world is
not better than it was during the Stone Age?
Where are the think-tankers, philosophers and
scholars and researchers?
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