‘12 YEARS A SLAVE’ AND ‘AMERICAN HUSTLER’ – ‘12 YEAR A HUSTLER’ AND ‘AMERICAN SLAVE’?! :
By
Mansor Puteh
Is America or
American filmmakers still stuck to the past? I thought films on slavery in the
early years of the country are now passé. But this may not be the case.
‘12
Years a slave’ should not have been made; it does not prove anything other than
to show the acting prowess of some of its lead actor.
Last year’s Academy Awards would have turned out to be much better if it did not distract the attention of the members of the academy and public.
The
world did not seem to care with such a film; so no wonder it did not go on well
with the audiences in Malaysia
and in many other countries including even in America itself.
At best,
it should have been made as a television feature.
American
slaves now do not have to speak in pidgin English; they can be expected to
speak in proper English, as what the producers and actors in this film had
chosen to do.
So one
did not get to hear some Black or African-American slaves saying, ‘I is not
happy…’ or ‘You is a good man…’ anymore. They can all sound like they had gone
to college.
And like
the many others, I also chose not to watch this film in the cinemas and even on
DVD.
I also
decided to pass watching ‘American Hustler’ in the cinemas and even on DVD as
well as on the planes when I was flying from here to New
York City and to Tehran
earlier this year.
I chose
to watch other programs especially documentaries. ‘I is happy’ to watch
documentaries of people and places anytime.
What’s
important and interesting in America
and in American cinema may not be interesting to many elsewhere throughout the
world.
‘12
Years a slave’ may have won numerous Oscars for its creators, but it still does
not mean that it is an interesting or important film for the rest of the world,
as did ‘American Hustler’.
Many
Malaysians may share the sentiments of many Americans concerning these two
particular films, but they are generally the unofficial spokesmen for America and
American Cinema. I am not and never can be. America has their own persons who
can do the job for them, especially those in the American Motion Pictures Arts
and Science (AMPAS).
The
Malaysians who marvel and wonder and admire at these two films which were the
hot films in the last Academy Awards are mostly those who are not qualified in
film, or who are brave to make their own stand.
They end
up using the position of the Americans who boast about the greatness of these
two films, and repeating whatever that has been said of them, using their own
way or style and trying to sound original in their views, by not admitting that
their views are second-hand views on them.
One must
therefore look at films the same way one looks at fashion or food; we have
Muslim fashion as well as food.
It seems
that the theme for literature and also cinema concerning problems between the
Whites or Caucasians and the Blacks or African-Americans are only present in America . The
other countries in the west also do have Blacks but there does not seem to be
that many novels or films that deal with such a subject.
’12
Years a slave’ therefore came as a surprise for me and also for some others,
especially when I thought the subject of slavery in America had been dealt with
over the last many years that there could not be anything more on the subject
for anyone to use to produce a film with.
Not
until the last year’s Academy Awards when this film appeared.
One
therefore tended to think that it would deal with the same issue in the same
predictable way. It does in many ways. Yet, the members of the Academy did not
just push this film aside and on the other hand gave it some measure of
importance and prominence, like they had not seen such a film before, like they
wanted the Americans and the rest of the world to also take note of the
long-standing issue concerning the Black-White issues of the past.
For me
’12 Years a slave’ is old hat.
From
where I came from such issues really do not mean much.
For any
Muslim such issues concerning the Black and White had been dealt with so long
ago that it is not a problem anymore with many of them coming together and
forming union that created off-springs that had benefited from the genetic
make-up of their parents.
Over the
centuries, there are now many Muslims comprising of people with mixed
backgrounds.
And any Muslim does not seem to notice or care
anymore about how the other person looks like.
In America , it
seems, this may still be an issue worthy of some discourse and enough for some
to spend scores of millions of dollars to come up with films.
Most
Muslims today do not remember the African-Muslim man called Bilal and what he
stood for.
Bilal
ibn Habshi, an African man from Ethiopia
was freed of bondage and he went on to cry out the azan during the time of the
prophet, after he was chosen to do so by Prophet Mohmmed, pbuh.
But who
will want to make a film on Bilal anyway? Bilal who? Even the Muslim and Muslim
filmmakers do not know who he was anymore. They only know the ‘bilal’ who is an
officer in the masjid without knowing why he came to be known by that name. But
they know who sleeps with who in Hollywood …
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